Showing posts with label big box bookstore. Show all posts
Showing posts with label big box bookstore. Show all posts

Tuesday, July 19, 2011

Bookstore Briefs: The Bad News and the Good

East Liberty, Pittsburgh. Photo by Jamie Phillips, July 2011.

Borders Books is going out of business, 40 years after two brothers opened one small bookstore in Ann Arbor, Michigan. As the Detroit Free Press reports, liquidation sales could begin as early as Friday. A chain-wide closure will mean the loss of 400 stores and almost 11,000 jobs.

In other big news, Amazon will start renting e-textbooks via Kindle as soon as the Fall of 2011, an announcement that will affect university bookstores across the nation. Gabe Habash tells us how this will be bad for the bookstores, textbook publishers, and authors, but good for the students.

In good news, Greenlight Bookstore (a retail store in Fort Greene, Brooklyn) will expand its space and add a coffee bar by partnering with a local business. Greenlight opened in 2009.

Maple Street Book Shop in New Orleans will also expand, opening two new locations in the city, one in Faubourg St. John and another in Faubourg Marigny. Read more at the Gambit. Maple Street sells books both new and used & rare, and opened as a paperback bookstore in 1964.

I recently went back to Charlottesville, Virginia for the first time in 14 years. I was thrilled to find that Heartwood Books was still alive, still a stellar second-hand bookstore, and at least one familiar (unforgettable) face was still behind the counter. I especially enjoyed the Books On Books section.

Heartwood Books on Elliwood Avenue in Charlottesville, Virginia.

Thursday, May 5, 2011

Bookstore Clerks Who Write About It: A Reading in a Pop Up Bookstore


Bookstore Clerks Who Write About It:
A Reading at Fleeting Pages

Thursday, May 12th
7:00pm-9:00pm
FREE
Fleeting Pages bookstore, formerly Borders East Side
Penn Circle, Pittsburgh


Bookstore clerks, bookstore owners, and former bookstore workers will read from their own writings on the bookstore biz, as well as the writings of others. Great indie bookstores represented include: Powell’s Portland and Powell’s Chicago, St Mark’s Bookshop, East Side Books, Jay’s Book Stall, Caliban Books, Awesome Books, Maelstrom Books, Burke’s Book Store, and more. Fleeting Pages is a pop up indie bookstore inhabiting the shell of an empty Borders bookstore from May 7th to June 4th, 2011. http://www.fleetingpages.com/

Readers will include:
Kris Collins (Caliban Books)
Nancy Krygowski (formerly, Maelstrom Books)
Karen Lillis (formerly, St Mark's Bookshop)
Tommy Mac (formerly, Powell's Books, Chicago)
and Bob Ziller (Awesome Books)

reading their own work as well as writings from:
Ron Kolm (Posman Books)
Corey Mesler (Burke's Book Store)
Kevin Sampsell (Powell's Books, Portland)

Kristofer Collins is publisher and editor-in-chief of Low Ghost Press, former co-director of the TNY Presents Performance Series, managing editor of The New Yinzer 2005-09. He is the book reviewer for Pittsburgh Magazine. He has managed Caliban Bookshop for the last 7 or so years and is the owner of Desolation Row Records & CDs. He was the assistant manager of the legendary Jay's Book Stall for ten years. A book of his poems entitled King Everything was published in 2007 by Six Gallery Press, The Book of Names was published by Low Ghost Press in 2008, and The Liturgy of Streets was published by Six Gallery Press in 2009. His latest collection, Last Call was published by Speed & Briscoe in 2010.

Ron Kolm is an American poet, editor, activist and bookseller, based in New York City. Kolm came to New York in 1970 and got a job at the Strand bookstore, where he worked with Tom Verlaine and Patti Smith. During this period he became friends and colleagues with a group of writers who would come to exemplify the Downtown scene of the 1970s and '80s. In 1985, Kolm, Bart Plantenga, Mike Golden, Max Blagg and Peter Lamborn Wilson founded the Unbearables. Kolm has been one of the editors of their anthologies: Unbearables (1995), Crimes of the Beats (1998), Help Yourself! (2002) and The Worst Book I Ever Read (2009) all published by Autonomedia. Kolm's own publications include The Plastic Factory (1989, Red Dust), Welcome to the Barbecue (Low-Tech Press, 1990) and Rank Cologne (P.O.N. Press, 1991). His work can also be found, along with the other Unbearables, in the Outlaw Bible of American Poetry (Thunder's Mouth Press, 1999), and in Up Is Up, But So Is Down: New York's Literary Scene, 1974-1992 (New York University Press, 2006). He has collaborated on a novel, Neo Phobe, written with Jim Feast (Unbearable Books, 2006). Ron Kolm has worked at many of the great New York bookstores, including: Strand, East Side Books, St Mark’s Bookshop, Coliseum Books, and Posman Books.

Nancy Krygowski’s bookstore career began at the Portsmouth Bookshop, in Portsmouth, NH. While there, she was scouted by the owner of The Book Guild, the town's huge used and antiquarian book store, as she alphabetized books and made change, and was soon recruited to work there. (The book business is a lot like football.) She later moved to San Francisco and worked at Maelstrom Books in the Mission District for several years before coming to Pittsburgh. Krygowski’s first book of poems, Velocity, was chosen for the Agnes Lynch Starrett Prize from the University of Pittsburgh Press. She was co-founder and booker of poets for the Gist Street Reading Series. She works at Greater Pittsburgh Literacy Council as an instructor and occasionally teaches poetry workshops at Pittsburgh Center for the Arts.

Karen Lillis (event organizer) worked at St Mark’s Bookshop for eight years, and is currently writing a memoir, Bagging the Beats at Midnight: Confessions of an Indie Bookstore Clerk, serialized monthly at http://www.UndiePress.com. A novelist, a freelance writer, and a small press advocate, she is the author of the novels i, scorpion (Words Like Kudzu Press, 2000) and The Second Elizabeth (Six Gallery Press, 2009) and [under the pseudonym Carol Lewis] the illustrated novella, Magenta's Adventures Underground (Words Like Kudzu with New York Nights, 2004). Her writing has been nominated for a Pushcart Prize (2010), and has been a finalist for a Golden Quill Press Award (2007). She currently resides in Pittsburgh.

Tommy Mac worked most of his adult life in libraries and bookstores including a memorable stint at Powell’s Books in Chicago’s South Loop. If you ever went there, Tommy’s not that Chinese guy and he’s not that hot guy who looks like Seal. He was that other guy dodging around in the stacks trying to avoid eye contact with the patrons. He read at the grand opening of Vox Pop Bookstore in Brooklyn, and was last heard spouting free-jazz palaver to a stonily indifferent audience at the old Bloomfield Beat Cabaret in Pittsburgh.

Corey Mesler has published in numerous journals and anthologies. He has published four novels, Talk: A Novel in Dialogue (2002), We Are Billion-Year-Old Carbon (2006), The Ballad of the Two Tom Mores (2010) and Following Richard Brautigan (2010), 2 full length poetry collections, Some Identity Problems (2008) and Before the Great Troubling (2010), and 2 books of short stories, Listen: 29 Short Conversations (2009) and Notes toward the Story and Other Stories (2010) . He has also published a dozen chapbooks of both poetry and prose. He has been nominated for the Pushcart Prize numerous times, and two of his poems have been chosen for Garrison Keillor’s Writer’s Almanac. He also claims to have written, “The Martian Hop.” With his wife, he runs Burke’s Book Store in Memphis, one of the country’s oldest (1875) and best independent bookstores. He can be found at http://www.coreymesler.com.

Kevin Sampsell lives in Portland, Oregon and has worked at Powell's Books since 1997. He runs the small press and zine sections and also coordinates their events. His small press, Future Tense Books, began in 1990 and publishes books by new and emerging writers of fiction, poetry, and memoir. His own books include the story collection, Creamy Bullets, and the memoir, A Common Pornography. He no longer has to change the marquee for Powell's.

Bob Ziller is an artist, poet, translator and singer. His translation of Jean-Joseph Rabearivelo's Translated from the Night was the first English rendering of a complete text by the African surrealist poet. His artwork has been widely displayed throughout the U.S. - some of his portraits of writers will be on display at Fleeting Pages. His book release party for Van Gogh Surfing, his first collection of poetry, will be held at Fleeting Pages on June 1st, along with Jimmy Cvetic. He is the co-owner of Awesome Books in Pittsburgh.


Saturday, April 2, 2011

Interview with a Pop-Up Bookseller

This morning I sat down at a Pittsburgh café with Jodi Morrison, the energetic woman who is spearheading the Fleeting Pages pop-up bookstore project, due to open in Pittsburgh--for one month--on April 30th.

When asked how she came to the idea of setting a small-press indie bookstore inside the space of a former chain bookstore, Morrison traces the following arc: She recalls fondly the abundance of independent bookstores that once existed in Pittsburgh's most educated neighborhood, Squirrel Hill. A Barnes & Noble which landed there in the late '90s wiped out smaller favorites like the Squirrel Hill Bookstore and Three Penny Books. But when the Barnes & Noble itself closed in late 2009, Morrison wanted to take it back for the independents. She claims, "I immediately thought, 'Let's fill that space up with something different.' " She couldn't get the thought of inhabiting the space and reversing the cycle out of her mind: "And I just assumed that everyone else was thinking the same thing!" A variety of circumstances prevented her from sealing the deal on that real estate at that time, but when she heard about Borders going bankrupt, her mental wheels started turning again. She called up former Soft Skull Press editor, Richard Nash (for whom she had once worked), and he loved the idea of Fleeting Pages. "To have Richard be so positive and excited about the idea was incredibly empowering."

It's been less than two weeks since the Fleeting Pages website went live, and the response from interested small press and self-publishers has already been enormous; the project has gotten national press, and Morrison's inbox is flooded. She cites such publishers as Future Tense, Ugly Duckling Presse, and Weave Magazine as early responders, with Nash's latest publishing ventures, Cursor and Red Lemonade, as official supporters. She's even gotten some potential interest from some of the big publishers, but they want to know some hard-line statistics before they leap: "I've been getting a lot of 'Why Pittsburgh?' from certain publishers. They say, 'Let us know if you plan to do this in New York, Portland, or Seattle.' They are skeptical that there's a market for it here." But as I recently reported in Pop City, Pittsburgh's emerging arts are booming, its cultural audience is enthusiastic, and its small press scene supports far more independent publishers and reading series than a city of its size would suggest. In the past two years, the city has started two annual small press fairs: SPF, featuring literary and poetry presses, and PIX, for small press comics.

Morrison says she was reared on Pittsburgh's tight-knit indie community, and it taught her what to look for when she left. Growing up in Pittsburgh in the 90s, Morrison says, "There were great things happening on a smaller scale in the indie arts in Pittsburgh—in music, zines, and books. I learned a lot from that community, like how to treat other people and how to respect the work. But I left [in 1996] because the support for indie culture wasn't being reflected in the city in a larger way at that time." She has since enjoyed such subcultures in Boston, Chicago, and Brooklyn, before returning to an evolving Pittsburgh area in 2008.

As for the small press books that will stock Fleeting Pages' shelves, Morrison is adamant about an open-door policy ("as long as it's not illegal"), and is impartial as to whether the items are coming from literary presses, Christian imprints, self-published historians, or precocious 14-year olds. She states, "The culture of the book is changing so much. You no longer have to have an agent and a contract to publish a book. I'm interested in exploring who is creating books now, and also in questioning who determines our access…. Borders and Barnes and Noble aren't interested in stocking a title that would sell only one copy per store. But to a small or self-publisher, selling 600 or 700 books would be a huge deal." On the other hand, as a book lover with a wide range of reading tastes, she has great sympathy for the publishers who will be hurt by the chain stores' downsizing.

Fleeting Pages plans to have an online store, in part to accommodate the large response from people who want to support the project but can't travel to Pittsburgh in May. The company Bibliopolis will assist in setting up the online component. Bibliopolis (based in Berkeley and now also in Pittsburgh) specializes in creating websites for used and rare bookstores, with clients such as Argosy Book Store in New York and Caliban Books in Pittsburgh. But Morrison does stress the important role that brick and mortar stores have played in her life. One favorite bookseller in late '90s Boston used to greet her when she walked in the door with, "Jodi, I've got some titles I think you'd like." If she expressed interest in learning more on a certain subject, he would research more books on that topic for the next time she came in. "There was a librarian aspect to what he did," Morrison says. She remembers the vibrant conversations and information exchanges she enjoyed with other customers at the store, too—whether finding out about neighborhood news or upcoming music events.

"Bookstores have been a valuable cultural space," Morrison states. To that end, Fleeting Pages will be used not only for bookselling, but in a variety of ways—depending in part on how the indie community responds. Morrison insists that she doesn't want to over-determine what should transpire, but seeks input and ideas from other interested parties. Some requests that have already come across her desk include a communal typewriter for customers to use, tables available for writers around the store, and a resource library for writers to browse. Fleeting Pages will host events such as literary readings and writing workshops, film showings (including the Soft Skull movie, "Horns and Halos"), and a book arts exhibition.

Though the admitted insomniac is working hard between now and April 30th, Morrison is happy for Fleeting Pages to be a project in progress, and will allow its uses to evolve throughout the month it is open. She's also quick to point out that even though her name is the main one associated with the bookstore project, "One hundred and forty-seven other individuals have also pitched in, so far. It's not just me." As just one example, Morrison will have help from friends both near and far in staffing the store.

Jodi Morrison knows that "some people will walk into [Fleeting Pages] and see it as a success, and some will see it as a failure, like, 'This or that could have been done better.' But I hope that both camps take what they see and go build on it. This is just a start."

Photos depict three Pittsburgh bookstores:
Middle: Caliban Books

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Read more about submitting your books to Fleeting Pages:

Find Fleeting Pages on Facebook: http://www.facebook.com/fleetingpages