The Next Big Thing Blog Hop

I'm a big fan of Lori Jakiela's writing (poetry and literary nonfiction), so I was excited to read more details about her forthcoming book via The Next Big Thing Blog Hop. Lori tagged me for the Blog Hop for this week, so I'll answer the Next Big Thing's standard questions about my next book project. (See which writers I tagged for next week's Blog Hop at the end.)

*****

TNBT: What is the working title of your book?

Karen: Bagging the Beats at Midnight: Confessions of a New York Bookstore Clerk

TNBT: Where did the idea come from for your book?

Karen: I was in library school a few years ago, and the students around me were arguing that printed books were a thing of the past. Someone said that a PDF or a blog was the same as a book: Just "an information container." Others loved to say that video games and DVDs and books were the same thing, just equivalent forms of “content delivery.” These students were in the majority, and the book lovers among us were looked on as being an outdated generation, people who hadn't gotten the memo, and a hindrance to progress. But I knew that books and book culture had, at times, contained my whole life, and never more so than during the years I worked at St. Mark's Bookshop (1997-2005). I decided to write an account of these years, telling the stories of books and bookstore life and the people with whom I shared books.

TNBT: What genre does your book fall under?

Karen: Literary nonfiction/bookstore memoir

TNBT: Which actors would you choose to play your characters in a movie rendition?

Karen: I'm going to need a film optioning fee before I discuss that.

TNBT: What is the one sentence synopsis of your book?

Karen: Bagging the Beats at Midnight is the bookstore memoir of a budding novelist in New York at the turn of the millennium: one part story of a great bookstore, one part story of a young writer and her adventures through the underground literary world of Downtown and Brooklyn.

TNBT: Will your book be self-published or represented by an agency?

Karen: No agent involved thus far. When I get finished or much closer to finished, I plan to approach my favorite literary presses.

TNBT: How long did it take for you to write the first draft of your manuscript?

Karen: I started the book as a monthly column for Tim Hall's Undie Press magazine, in Fall of 2010 (through the Summer of 2011). I'm still working on the book; no first draft yet.

TNBT: What other books would you compare this story to within your genre?

Karen: I'm not sure I know another book that's doing quite the same thing. It's different from other bookstore memoirs in that it's a series of non-fiction pieces connected by the bookstore, but it's not trying to be a chronological account of my time at the bookstore. It also goes in and out of the bookstore, exploring other aspects of my life with book and print culture: I self-published a novel and went on a book tour by Greyhound, I worked on an anti-war and poetry newspaper after 9/11, I spent my days off at used bookstores, I dreamt of selling books on the street.

I've been getting inspiration from a variety of books: The much talked-about Gutenberg Elegies; Eileen Myles' Inferno: A Poet's Novel; Chloe Caldwell's book of essays, Legs Get Led Astray; Mark Spitzer's bookstore memoir, Writer in Residence; the new oral history about Williamsburg, Brooklyn called The Last Bohemia; and books about customer service work in other fields: Checkout by Anna Sam, and Hey, Waitress by Alison Owings.

TNBT: What else about your book might pique the reader’s interest?

Karen: Set at a bookstore which is central to the cultural life of an uniquely creative neighborhood (the East Village), Bagging the Beats at Midnight tells the story of an indie bookstore clerk navigating friendships and the small press lit scene at the height of print culture, just before the internet and social media dominated communication, publicity, and book sales.

The latest excerpt can be found in COMPOSITE ARTS MAGAZINE, Issue 10:
http://www.compositearts.com/composite_no10interact.pdf 
This excerpt is one example of the way the story goes in and out of the bookstore. The chapter revolves around an East Village reading organized by a small press of Russian expats; St. Mark’s Bookshop is used as a lens or an organizing principle, a place where I was introduced to, and made sense of, the poets and small presses who mingled on the shelves and in (and out of) the store.

***** 

Blog Hop: Now I get the pleasure of tagging three terrific writers–-Ocean Capewell writes the zine High on Burning Photographs and she has a novel and a manuscript-in-progress I hope she’ll tell us more about. Spencer Dew is the author of Songs of Insurgency (Vagabond Press, 2008), Mont-Saint-Michel and Chartres (Another New Calligraphy, 2010), and a forthcoming novel from Ampersand Books, Here Is How It Happens. Eric Nelson wrote The Silk City Series, a zine that became a book (Knickerbocker Circus Publishing, 2010); he has a new book forthcoming from The Crumpled Press in January 2013.

Ten Reasons Why We Should Help St. Mark’s Bookshop Survive

Image from Project Neon

May 15, 2014 update: St Mark's Bookshop has signed a new lease on East 3rd Street, is contemplating non-profit status, and is less than $8,000 away from their moving money goal on Indiegogo: https://www.indiegogo.com/projects/st-mark-s-bookshop-on-the-move

Original post, August 2012:

You may or may not have heard that indie St. Mark's Bookshop in New York is trying to raise funds to move to a cheaper space in their longtime neighborhood, the East Village. Currently, their landlord, Cooper Union, has given them a temporary (and slight) discount in their rent, but when it goes back up to the "normal" astronomical $20,000/month at the end of the year, the store fears they will be forced to close. Their campaign at Lucky Ant has been going strong but still needs your help with less than a week left to reach their all-or-nothing goal of $23,000. Specifically, they need to raise $7,000 in four days. Please consider donating.

Here's why I think it matters:

1. St. Mark's is a terrific bookstore with top-notch book buyers.

It’s hard for me to describe in a short space how much I admire this bookstore and its place in American letters, so I’m writing a whole book about it. I had the pleasure of working at St Mark’s Bookshop from 1997 to 2005, and I'm currently writing a memoir about my years there. You can find eleven installments of this book at Undie Press including my observations on which types of people shopped there (from book critics to New York poets to indie rock stars to out-of-town intellectuals to architects to DJs to academics to performance artists to filmmakers to expats to internationals) for what books (design, poetry, photography, cutting-edge fiction, cultural criticism, art porn, zines, queer theory, the latest lit or lifestyle magazines); which celebrities browsed there (like Susan Sontag, Thurston Moore, Richard Howard, DJ Spooky, Diamanda Galas, Harmony Korine, Jim Jarmusch); and what books meant to the people who worked at the shop. My opening chapter gives an overview of why I think St Mark's Bookshop deserves a permanent place in literary history.

2. St. Mark's Bookshop is not just a place that sells (and curates) culture and history. St. Mark's Bookshop IS living history.

As a bookstore, St. Mark's holds an institutional memory of major moments in alternative publishing history. The owners (and some longtime employees) both worked at 8th Street Books, which was the New York bookstore the Beats frequented and the New York bookstore that embraced the "paperback revolution." Both owners worked also at East Side Books, an East Village bookstore which was known as a place to find underground comics, mimeographed novels, and local political pamphlets—at a time when these were a major currency of the cultural revolutions and the avant garde. St. Mark's opened in the late '70s, making a place for artistic expressions to live and breathe alongside new areas of inquiry we take for granted today, such as sections with labels like "Vietnam Studies" or "Lesbian and Gay Studies."

Located in the center of the vibrant and bohemian East Village, the bookstore has long been a place that sells today's forefront thinkers (or poets, or photographers) to tomorrow's celebrated writers (artists, musicians, academics, etc). Writer/editor and former employee Ron Kolm has said, "I took a pay cut to work at St Mark’s Bookshop [in 1985] because I knew that the art scene in the East Village was in full bloom, and I knew that the fiction scene was about to explode, and I wanted to be a part of it." In my time, St. Mark's was known as the store in New York with the widest selection of zines, poetry, and literary magazines, not to mention all the anti-war underground newspapers that showed up circa early 2002. Now it’s the Occupied Wall Street Journal they're distributing, and their newish reading series has hosted such literary lights as Sarah Schulman, Kate Zambreno, Michael Moore, Eileen Myles, Laurie Weeks, Tao Lin, Marie Calloway, Giancarlo DiTrapano, Samuel R. Delaney, and Gary Indiana. Ever since its opening in 1977, the authors, customers, and clerks of St. Mark's have been involved in an easy and fertile conversation hosted by the bookstore. In every era of its existence, St. Mark's has had a keen eye for offering (and a knack for attracting) the cutting edge literature, art, and thought of its time—and the privilege of introducing such books to many of those very creators. To my eye, this store is a living legacy worth helping to survive another 35 years.

3. Give the store a level playing field: help St Mark's Bookshop move to a smaller space with reasonable rent.

People read about failing bookstores and they think the era of the bookstore is simply over. Progress has happened, the ebook has won. Not true. Many bookstores all over the country and all over the world are still thriving. The brick and mortar bookstore isn’t over—but the ones that survive this change in publishing (and this devastating recession) have to get smart, slim down. This campaign IS St. Mark’s getting smart. The fundraising campaign represents a series of business decisions—to use 21st century tools, starting with Lucky Ant (the Kickstarter-like platform hosting the fundraiser), proceeding to a re-vamp of their online presence (bookstores that survive often claim about 25% of sales online), and slimming down by seeking a smaller store with more reasonable rent. Soon their rent will go back up from (current "rent-reduction") $17,500 a month to $20K. Think YOU can move that much merchandise and still support several employees? When St. Mark's opened in 1977, their rent was $375 a month. Today's rent, as they say, is too damned high.

4. A level playing field means the bookstore can become self-sustaining doing what they do best: selling books.

You've heard about how well Strand and Book Court are doing? They own their own buildings. This is relatively rare among bookstores. When the great bookstores of 4th Avenue [once known as Book Row] started to close or move en masse in the 1960s, some booksellers lamented that they wished they had bought their building when given the chance. Translation: All bookstores, even the best ones, need an affordable situation to ride out times of change.

5. Even though Brooklyn is the hottest thing since sliced (artisanal, five-grain) bread, downtown Manhattan, home of St Mark's Bookshop, is still the place where people meet in the middle of surrounding locales (from Hoboken to the Upper West Side to Brooklyn and Queens)—as it has been since the Native Americans used it as a busy trading post.

6. This retail bookstore in the heart of the publishing capitol has done so much for the small presses.

I used to encourage editors of fledgling lit mags—"In the absence of getting a distributor, just get your magazine at St Mark’s Bookshop. If your magazine is quality, it will sell like hotcakes." To name just a few of the small presses and magazines I watched transition from "new and fragile" to "known and thriving" in part due to hefty sales at St Mark’s: Soft Skull Press, Melville House, Ugly Duckling Presse, McSweeney's, Ig Publishing, Akashic Press, and Archipelago Books. Other well-sold presses at the store included Semiotexte and Autonomedia, AK Press, Sun & Moon Press, Alice James Books, Exact Change Press, Wave Books, Calamari Press, Green Integer, Hanuman Press, Hanging Loose Press, Soho Press, Thunder's Mouth, New Directions, Shambala Press, City Lights, Dalkey Archive, Spuyten Duyvil, Seven Stories, Four Walls Eight Windows, Serpent's Tail, Coffeehouse Press, Seal Press, and so many more. Support the bookstore that supports the small press.

7. Don’t lament the passing of a great bookstore when you have a chance to help.

I have heard people "mourn" the bookstore already in that laziest of ways: "Another great New York institution is on its way out." Or, "Another great bookstore that can't stand up to Amazon." Curb the instinct, folks. The bookstore is not gone, it's not over, and there is still time to do something. Put your money behind your hope, not your dread. Donate here, in exchange for gift certificates, discounts, and tickets to the grand re-opening: http://www.luckyant.com/nyc/east-village/index.html

8. St. Mark’s Bookshop is neighborhood bookstore to the world.

I mean this in two directions: One, the world comes through New York and many stop into the store when they're in town, adding to the terrific mix of customers. And two, the East Village is "home" to every artist and bohemian who wants to claim it: The East Village is not just a place but a state of mind. To me, the East Village will always stand for art that takes exciting risks both in form and content; street-smart, nuance-wise, aesthetic-minded intellectualism; and a politics of the people. For 35 years, St Mark's Bookshop has curated a selection of books and materials that is aware of these three components of the neighborhood's proud output and hungry reading and culture needs. Think of them as an import/export service to and from an ever-replenishing source of the avant-garde. Thank them by donating here: http://www.luckyant.com/nyc/east-village/index.html

9. Be (part of) the subsidy that small businesses don't have.

Small businesses like St. Mark's Bookshop are thrown to the sharks of the "free market" while corporations like Amazon and Barnes & Noble receive tax breaks and strong-arm publishers into (unsustainable) massive discounts. "Non-profits" like Cooper Union also get tax breaks and other subsidies. Yet small businesses are the ones who hear, "Well, if you can't sell enough books to survive, then I guess the free market has spoken." Why doesn't anyone say to Amazon, "Awww, poor baby, can't survive selling books at retail price? Can't hack it asking people to work at a human pace and temperature? Can't make enough to pay your taxes? Boo hoo!" Amazon is a market bully. While brick and mortar bookstores gladly coexist with each other (St. Mark's has survived the arrival of indie McNally Jackson, and even two nearby Barnes & Nobles), Amazon is a predatory capitalist who needs its teeth removed before there's a fair fight to be found. As Sherman Alexie puts it, "Amazon is in the 1% and independent bookstores are in the 99%. So who are you going to fight for?” Fight for St Mark's now: http://www.luckyant.com/nyc/east-village/index.html

10. Aren't you sick of eulogies?

I’m still mourning the passing of the great literary humanists George Whitman (Shakespeare and Company, Paris) and Barney Rosset (Grove Press and Evergreen Review). Please don’t let St Mark’s Bookshop die, too. A girl can only take so much crushing news in one year.

*****

Please consider donating to help St Mark's Bookshop HERE [Updated May 15, 2014]: https://www.indiegogo.com/projects/st-mark-s-bookshop-on-the-move

And please share this post on your social media sites: Twitter, Facebook, Tumbler, etc.

Important Week for an Important Bookstore

Image from Marty After Dark

By now, you've probably heard about the Cooper Square Committee petition to save St. Mark's Bookshop by asking Cooper Union (the bookstore's landlord) for lower rent. The petition response has been amazing, with over 23,000 signatures gathered in less than a week; every time I look at the petition, there are 1,000 more signatures. Many of those signing have left enthusiastic comments about the bookstore and what it means to them, or strong words addressing the irony of an academic landlord who might boot such an intellectual institution out of the neighborhood:

"Please don't let this bookstore close! It would be a disaster. It's one of my favorite bookstores in the world."

"St. Marks is NECESSARY!!! Cooper Union shouldn't be behaving like a commercial landlord -- there's an intellectual heritage at stake."

"Find the pride to claim the St. Mark's Bookstore, a cultural and historical icon, as part of the Cooper Union community."

"Please help this great literary institution to survive. There is no other bookstore with their taste and selection. In a time when we are almost out of places in NYC to find books of the calibre St. Mark's Bookshop selects, it is an essential cultural and historical part of our city."

"one of the most important independent bookstores left in the country."

"Please, the city is slowly losing its soul.... "

If a fraction of those who signed the petition spent $25 at the bookstore this week, it would make an enormous difference to an uniquely wonderful bookstore. It is my humble observation that St. Mark's Bookshop, having been a player in the center of a thriving multi-disciplinary art scene for three decades, has fostered the creation and growth of many small presses and literary journals, and facilitated conversations and connections between many influential artists, writers, and intellectuals. Meanwhile, e-books (and their intersection with Amazon and iPad) seem to be reaching a savvy demographic of readers (many of whom have loathed the chain stores), dealing heavy blows to longtime brick and mortars just as Barnes & Noble's deep-discounts did to local indie bookstores in the 1990s.

But e-books can't be the whole demise of great bookstores, since St. Mark's is one of the many stores that sells Google e-books. Perhaps more to blame is the skyrocketing Manhattan rent that threatens to strangle all but the chain stores. When I lived in New York in the Giuliani years, rumor had it that many of the chain stores (which Mayor Rudy had courted with tax breaks), including Barnes and Noble and Nike, didn't actually make a profit on their New York stores. But they paid exorbitant prices just to maintain a high-profile, big-city "flagship" store. So if no one can actually afford their New York rent, what does that mean for the continuing culture of a great city? To paraphrase a Jim Jarmusch quote from the 2010 documentary "Blank City," New York was always a trading post, but now the main trade is real estate itself.

I do think that this week in particular is an important time for indie bookstore lovers to give more than just their signature. The Village Voice reported on Monday, September 12th, that St Mark's owners are due to meet this week (Wednesday, September 14) with Cooper Union's Vice President of Finance, Adminstration, and Treasury, in order to negotiate a rent reduction--but that "the new administration has not been 'particularly sympathetic.' "

Won't you please show your support in the form of buying a book from St. Mark's Bookshop THIS WEEK? You can browse their selection online via title, author, new arrivals, store bestsellers, autographed copies, remainders, or Google e-books:
http://www.stmarksbookshop.com/
212-260-7853

*****

Update: Since I posted this late yesterday afternoon, the petition signatures are up to 24,500.

New comments on the petition:

[Dr. ____ from Berlin] "St. Mark's is the only top quality bookstore in NYC. The staggering selection, extensive and discriminatingly selected, is unparalleled - none of the big chains and none of the smaller ones (with their necessarily narrower focus) come close to this unique institution. I send all my students, colleagues, friends heading for NY to St. Mark's. Don't liquidate New York's most respectable Bookstore!"

"How is New York City going to continue to be a literary and cultural center if we lose all of our independent bookstores?"

*****

Note: It is true that I am not only a disinterested bookstore blogger in this case; I am not unbiased. I am a former employee of St. Mark's Bookshop, with years of memories and friendships there. I am also currently writing a book about my years at the store. I should add, however, that I am not writing about my time there just to write a fun memoir about my own life; the bookstore itself was largely the inspiration. St. Mark's Bookshop is such an unique gathering place in the heart of the city of art, the city of publishing, I want to help give it its legend in print; it is certainly long overdue.